ANTIPOETRY MAGAZINE
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    • Issue 1 | February 2022 >
      • American Atavistic by David Booth
      • Antonyms for “Automotive” by Glen Armstrong
      • Excuse by John-Thomas Kelly
      • goodnight by Elena Vallejo
      • SUGAR CUBE by C. Cimmone
      • How Dreams Can End Up by Richard LeDue
      • Granny from the Days of Yore by Todd Mercer
      • ​Motherhood by Julia Nusbaum ​
      • [opening the veins] by Christine Hamm
      • Maybe by Yulia Tseytlin
      • ​What Love Is by Julia Nusbaum
      • [down there one is alone] by Christine Hamm
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​Antonyms for “Automotive” by Glen Armstrong

1.
 
I can still hear
my father’s heavy shoes
 
at the front door
his murmuring of street names
 
that lead to restaurants 
where he hoped to someday dine.
 
​
2.
 
A large shape remains 
where the car was parked.
 
Snow falls and starts
to melt.
 
We never quite finish.
We never want
 
anyone to know 
that our parents’ passing was 
 
“automotive”
in the sense that they left
 
shapes in our lives
and made odd sounds
 
before leaving us stranded

Glen Armstrong's Bio:
Glen Armstrong (he/him) holds an MFA in English from the University of Massachusetts, Amherst and edits a poetry journal called Cruel Garters. He has three current books of poems: Invisible Histories, The New Vaudeville, and Midsummer. His work has appeared in Poetry Northwest, Conduit, and The Cream City Review.

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  • Home
  • Issues
    • Issue 1 | February 2022 >
      • American Atavistic by David Booth
      • Antonyms for “Automotive” by Glen Armstrong
      • Excuse by John-Thomas Kelly
      • goodnight by Elena Vallejo
      • SUGAR CUBE by C. Cimmone
      • How Dreams Can End Up by Richard LeDue
      • Granny from the Days of Yore by Todd Mercer
      • ​Motherhood by Julia Nusbaum ​
      • [opening the veins] by Christine Hamm
      • Maybe by Yulia Tseytlin
      • ​What Love Is by Julia Nusbaum
      • [down there one is alone] by Christine Hamm
  • About Us
  • Submit